The Beguiling of Merlin

In his own life Burne-Jones had become infatuated with one of his admirers, Mary Zambaco, whom he remained close with during the early 1870s. The Beguling of Merlin and the story of Vivian and Merlin is taken from Arthurian legend. Merlin had fallen in love with Vivian and she profited from his infatuation by learning his skills in enchantment. Int he painting she is shown sending Merlin into a deep sleep.

Oscar Wilde described Burne-Jones’ painting The Beguiling of Merlin as being “full of magic.”

Then, in one moment, she put forth the charm
Of woven paces and of waving hands,
And in the hollow oak he lay as dead,
And lost to life and use and name and fame.

Then crying ‘I have made his glory mine,’
And shrieking out ‘O fool!’ the harlot leapt
Adown the forest, and the thicket closed
Behind her, and the forest echoed ‘fool.’

— from Merlin and Vivian by Lord Alfred Tennyson

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Edward Burne-Jones was an English artist and designer closely associated with the later phase of the Pre-Raphaelite movement.In addition to painting and stained glass, Burne-Jones worked in a variety of crafts; including designing ceramic tiles, jewellery, tapestries, and illustration, most famously designing woodcuts for the Kelmscott Press’s Chaucer in 1896.